By Jasbir K.Puar, Zillah Eisenstein, Rosalind C.Morris, Judith Butler, Muneer Ahmad, Meena Alexander, Lopamudra Basu, Sandrine Nicoletta, Yigal Nizri, Ban Wang
Due to the fact September eleven, public discourse has usually been framed when it comes to absolutes: an age of innocence supplies option to a gift lower than siege, whereas the U.S. and its allies face off opposed to the Axis of Evil. This unique factor of Social textual content goals to maneuver past those binaries towards considerate research. The editors argue that the problem for the Left is to strengthen an antiterrorism stance that recognizes the legacy of U.S. alternate and overseas coverage in addition to the variety of the Muslim religion and the risks provided by way of fundamentalism of all kinds.Examining the strengths and shortcomings of region, race, and gender experiences within the look for realizing, this factor considers cross-cultural feminism as a way of fighting terrorism; racial profiling of Muslims within the context of alternative racist logics; and the homogenization of dissent. the difficulty contains poetry, photographic paintings, and an editorial through Judith Butler at the discursive area surrounding the assaults of September eleven. This striking diversity of contributions questions the that means and implications of the occasions of September eleven and their aftermath.Contributors. Muneer Ahmad, Meena Alexander, Lopamudra Basu, Judith Butler, Zillah Eisenstein, Stefano Harney, Randy Martin, Rosalind C. Morris, Fred Moten, Sandrine Nicoletta, Yigal Nizri, Jasbir okay. Puar, Amit S. Rai, Ella Shohat, Ban Wang
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Additional resources for 911: A Public Emergency (Social Text 72)
Or to be torn away from a place, to feel at the edge, not quite at home? So where is home for us here, now in the twenty-first century? Can language work to make a home, a shelter? These are questions that will never leave me. LB: How do memory and language fashion migrant lives? MA: When you write something down, it is a way of saying, I am remembering. A poem, particularly a lyric poem, can be stored in memory, or perhaps a line or an image. Sometimes when I am writing, it is not just events in my life but other poems that enter into my memory, poems that The Poet in the Public Sphere 37 I have learned, lines from poems, even from poems in translation, that evoke and trigger associations.
By invoking the philosophic-aesthetic apparatus of the ˇ ˇek rightly links this aesthetic image to the logic Enlightenment, Slavoj Ziz of late capitalism. He presents the Spinozist discourse of a positive, rationally organized reality to which Kantian practical reason, the notion of autonomous choice, comes as an opposition. The opposition between the two, I think, is analogous to the distinction between the bipolar power structure of sovereign nation-states of the Cold War and the supposedly decentered flow of capital where sovereignty is at bay.
So, the lyric does have this function, it makes for transport, but draws from the ore of bodily being. Unfortunately, the histories that we are part of are often brutal and violent. In making a poem, one mustn’t turn one’s face away, I feel that very strongly. I think the beauty has to exist within that history. LB: With a traumatic event like this, does writing become more or less important than other forms of personal or collective action? MA: Both — we flow into what breaks and burns around us.