By E. M. Forster
A captivating story of the conflict among bourgeois repression and radical romanticism, E. M. Forster’s 3rd novel has lengthy been the most well-liked of his early works. a tender woman, Lucy Honeychurch, and her chaperon—products of right Edwardian England—visit a tempestuous, passionate Italy. Their “room with a view” lets them investigate an international some distance assorted from their very own, a global unconcerned with conference, unfettered by means of social rituals, and unafraid of emotion. quickly Lucy unearths herself sure to an evidently “unsuitable” guy, the melancholic George Emerson, whose flawed advances she dare now not publicize. again domestic, her good friend and mentor Charlotte Bartlett and her mom, try and manage her into marriage with the extra “appropriate” yet smotheringly boring Cecil Vyse, whose surname indicates the imprisoning impact he may have on Lucy’s spirit.
A colourful gallery of characters, together with George’s riotously humorous father, Lucy’s sullen brother, the novelist Eleanor Lavish, and the reverend Mr. Beebe, line up on both sides, and A Room with a View unfolds as a delightfully satiric comedy of manners and an immensely enjoyable love tale.
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Additional resources for A Room with a View (Barnes & Noble Classics Series)
Said the old man, with both fists on the table. 舡 舠You see, we don舗t like to take舒舡 began Lucy. Her cousin again repressed her. 舡 he persisted. 舡 舠It舗s so obvious they should have the rooms,舡 said the son. 舡 He did not look at the ladies as he spoke, but his voice was perplexed and sorrowful. Lucy, too, was perplexed; but she saw that they were in for what is known as 舠quite a scene,舡 and she had an odd feeling that whenever these ill-bred tourists spoke the contest widened and deepened till it dealt, not with rooms and views, but with舒well, with something quite different, whose existence she had not realized before.
Beebe directly: 舠Old Mr. Emerson, is he nice or not nice? I do so want to know舡 (p. 39). This perplexity, presented quite baldly by the narrator, is part of what makes Lucy convincing as a modern heroine: that she does not make any claims to being particularly heroic. But in addition to showing Lucy舗s tendency to apply to higher authority, Forster demonstrates just how those higher authorities can insinuate their ideas into one舗s individual perspective. We find Lucy on her first morning in Florence gazing idly out the window and taking in the everyday activity on the street.
But here you are as safe as in England. 舡 舠Yet our rooms smell,舡 said poor Lucy. 舡 She sighed. 舠If only Mr. Emerson was more tactful! 舡 舠Undoubtedly he was,舡 said Miss Bartlett. 舠Mr. Beebe has just been scolding me for my suspicious nature. 舡 舠Of course,舡 said the little old lady; and they murmured that one could not be too careful with a young girl. Lucy tried to look demure, but could not help feeling a great fool. No one was careful with her at home; or, at all events, she had not noticed it.