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Empowering Users through Design: Interdisciplinary Studies

On the crossroads of varied disciplines, this collective paintings examines the opportunity of a brand new end-user “engagement” in ongoing digital/technological services and products improvement. It presents an outline of modern study particularly considering the user’s democratic participation and empowerment. It additionally allows readers to raised determine the most possibilities of participatory layout, an idea which inspires the blurring of the function among consumer and fashion designer. this permits humans to flee their prestige as “end-user” and to raise themselves to the extent of creator.

This ebook explores new avenues for rethinking the strategies and practices of company innovation with the intention to focus on present socio-economic and technological adjustments. In so doing, it goals to aid businesses renew business versions that let them to layout and bring new levels of technological services by way of giving the person an energetic position within the improvement procedure, a long way past the elemental position of consumer.

Intended for designers, layout researchers and scientists drawn to innovation and know-how administration, this e-book additionally offers a important source for pros all for technology-based innovation techniques.

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Extra resources for Empowering Users through Design: Interdisciplinary Studies and Combined Approaches for Technological Products and Services

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Revue de Métaphysique et de Morale, PUF, Paris, pp 409–421 Baudrillard J (1996) The system of objects (trans: Benedict J). Verso, London Deleuze G (1998) The fold. Leibniz and the baroque (trans: Conley T). University of Minnesota Press, Minneapolis, pp 18–19 Latour B (1996) Aramis or the love of technology (trans: Porter C). Harvard University Press, London Latour B (2009) Quelques pistes pour une philosophie du design. Lecture given at the ENSCI-Les ateliers (École Nationale Superieure de Creation Industrielle), Paris Sève B (2002) L’Altération musicale ou Ce que la musique apprend au philosophe.

As such, it modifies and redefines long-established categories. This founding configuration rethinks the rules and paradigms through which the world could be understood at any given time. What truly matters here is to know to what extent, and if it does, in what place(s) the now techno-logical and hardly empirical aspect of the above-mentioned launch phase come(s) into contact with this configurative power. 8 D. -D. 5 The Becoming of the Incomplete Object We still cannot fathom objects clearly although their project—the word is used here in its everyday meaning—, has matured.

16 T. Vardouli (Negroponte 1975) to current techno-centric expressions of design for empowerment,3 one question persists: Who designs? Τhe “empowered” user? Τhe tools and techniques that mediate the process? Τhe designer of the tools and techniques? In this chapter I propose an interdisciplinary approach to this question, drawing from design studies, Science and Technology Studies (STS), and the philosophy of technology. 4 Famously described by Bruno Latour as a middle zone between “the myth of the Natural tool under complete human control and the myth of the Autonomous Destiny that no human can master” (Latour 1994), technological mediation captures co-constitutive associations between humans and things, without assuming the one a determinant of the other.

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